Lesbian Cinema After Queer Theory
The unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation. Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbianâs categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianismâs queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.
Yazar | Clara Bradbury-Rance |
---|---|
Yayın Evi | EDINBURGH UNIV PR |
İngilizce edition cumulus J B SBoon CreateSpace Independent Publishing Platform Leopold Classic Library Almanca Kolektif Taschen GmbH Independently published İtalyanca Insight Editions edition cumulus Emily Grace Fransızca HACHETTE LIVRE-BNF Collectif İspanyolca Türkçe
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Baskı Detayları
Yazar | Clara Bradbury-Rance |
---|---|
İsbn 10 | 1474435394 |
İsbn 13 | 978-1474435390 |
Yayın Evi | EDINBURGH UNIV PR |
tarafından gönderildi Lesbian Cinema After Queer Theory | 30 Aralık 2020 |
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