Appreciations And Criticisms Of The Works Of Charles ens
An instance of what I mean may be found in the amusing article about the nightmares of the nursery. Superficially read it might almost be taken to mean that ens disapproved of ghost stories—disapproved of that old and genial horror which nurses can hardly supply fast enough for the children who want it. ens, one would have thought, should have been the last man in the world to object to horrible stories, having himself written some of the most horrible that exist in the world. The author of the Madman’s Manuscript, of the disease of Monk and the death of Krook, cannot be considered fastidious in the matter of revolting realism or of revolting mysticism. If artistic horror is to be kept from the young, it is at least as necessary to keep little boys from reading Pickwick or Bleak House as to refrain from telling them the story of Captain Murderer or the terrible tale of Chips. If there was something appalling in the rhyme of Chips and pips and ships, it was nothing compared to that infernal refrain of “Mudstains, bloodstains” which ens himself, in one of his highest moments of hellish art, put into Oliver Twist.
Yazar | G. K. Chesterton |
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Yayın Evi | Independently published |
J B SBoon Leopold Classic Library CreateSpace Independent Publishing Platform HACHETTE LIVRE-BNF İtalyanca Fransızca Almanca edition cumulus Taschen GmbH Türkçe Kolektif İngilizce Independently published Lina Scatia İspanyolca edition cumulus J S SBoon Emily Grace
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Baskı Detayları
Yazar | G. K. Chesterton |
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İsbn 13 | 979-8684062605 |
Yayın Evi | Independently published |
De olduğu gibi | B08JB7CFXJ |
tarafından gönderildi Appreciations And Criticisms Of The Works Of Charles ens | 16 Eylül 2020 |
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